Walter Hilton’s Song of Angels

Bl. Fra Angelico, Dormition and Assumption of the Virgin (c.1424−1434), detail

IN the Introduction to her edition of the Cloud of Unknowing, Evelyn Underhill refers to “an exquisite fragment” by the English mystic Walter Hilton (c. 1340/1345 – 1396) called Song of Angels.  The first third is shown below.  Besides discussing angelic music, Hilton makes some valuable comments about the nature of the what Underhill and Christian mystics call unitive life, a condition in which the material world becomes sacralized.

Links to the entire work are supplied in the Bibliography, and a nice audio version is here.  As a side note, according to St. Hildegard of Bingen, she wrote her ethereal music in by divine inspiration in a trance-like state.  Surely, listening to it one cannot help but think of angels’ songs!

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Here followeth a devout treatise compiled by Master Walter Hilton of the Song of Angels

DEAR brother in Christ, I have understanding by thine own speech, and also by telling of another man, that thou yearnest and desirest greatly for to have more knowledge and understanding than thou hast of angel’s song and heavenly sound; what it is, and on what wise it is perceived and felt in a man’s soul, and how a man may be sure that it is true and not feigned; and how it is made by the presence of the good angel, and not by the inputting of the evil angel. These things thou wouldest wete of me; but, soothly, I cannot tell thee for a surety the soothfastness of this matter; nevertheless somewhat, as me thinketh, I shall shew thee in a short word.

Know thou well that the end and the sovereignty of perfection standeth in very oneness of God and of a man’s soul by perfect charity. This onehead, then, is verily made when the mights of the soul are reformed by grace to the dignity and the state of the first condition; that is, when the mind is stabled firmly, without changing and vagation, in God and ghostly things, and when the reason is cleared from all worldly and fleshly beholdings, and from all bodily imaginations, figures, and fantasies of creatures, and is illumined by grace to behold God and ghostly things, and when the will and the affection is purified and cleansed from all fleshly, kindly, and worldly love, and is inflamed with burning love of the Holy Ghost.

This wonderful onehead may not be fulfilled perfectly, continually, and wholly in this life, because of the corruption of the flesh, but only in the bliss of heaven. Nevertheless, the nearer that a soul in this present life may come to this onehead, the more perfect it is. For the more that it is reformed by grace to the image and the likeness of its Creator here on this wise; the more joy and bliss shall it have in heaven. Our Lord God is an endless being without changing, almighty without failing, sovereign wisdom, light, truth without error or darkness; sovereign goodness, love, peace, and sweetness. Then the more that a soul is united, fastened, conformed, and joined to our Lord, the more stable and mighty it is, the more wise and clear, good and peaceable, loving and more virtuous it is, and so it is more perfect. For a soul that hath by the grace of Jesus, and long travail of bodily and ghostly exercise, overcome and destroyed concupiscences, and passions, and unreasonable stirrings within itself, and without in the sensuality, and is clothed all in virtues, as in meekness and mildness, in patience and softness, in ghostly strength and righteousness, in continence, in wisdom, in truth, hope and charity; then it is made perfect, as it may be in this life. Much comfort it receiveth of our Lord, not only inwardly in its own hidden nature, by virtue of the onehead to our Lord that lieth in knowing and loving of God, in light and ghostly burning of Him, in transforming of the soul in to the Godhead; but also many other comforts, savours, sweetnesses, and wonderful feelings in the diverse sundry manners, after that our Lord vouchethsafe to visit His creatures here in earth, and after that the soul profiteth and waxeth in charity.

Some soul, by virtue of charity that God giveth it, is so cleansed, that all creatures, and all that he heareth, or seeth, or feeleth by any of his wits, turneth him to comfort and gladness; and the sensuality receiveth new savour and sweetness in all creatures. And right as beforetime the likings in the sensuality were fleshly, vain, and vicious, for the pain of the original sin; so now they are made ghostly and clean, without bitterness and biting of conscience. And this is the goodness of our Lord, that sith the soul is punished in the sensuality, and the flesh is partner of the pain, that afterward the soul be comforted in the sensuality, and the flesh be fellow of joy and comfort with the soul, not fleshly, but ghostly, as he was fellow in tribulation and pain.

This is the freedom and the lordship, the dignity, and the honor that a man hath over all creatures, the which dignity he may so recover by grace here, that every creature savour to him as it is. And that is, when by grace he seeth, he heareth, he feeleth only God in all creatures. On this manner of wise a soul is made ghostly in the sensuality by abundance of charity, that is, in the substance of the soul.

Also, our Lord comforteth a soul by angel’s song. What that song is, it may not be described by no bodily likeness, for it is ghostly, and above all manner of imagination and reason. It may be felt and perceived in a soul, but it may not be shewed. Nevertheless, I shall speak thereof to thee as me thinketh. When a soul is purified by the love of God, illumined by wisdom, stabled by the might of God, then is the eye of the soul opened to behold ghostly things, as virtues and angels and holy souls, and heavenly things. Then is the soul able because of cleanness to feel the touching, the speaking of good angels. This touching and speaking, it is ghostly and not bodily. For when the soul is lifted and ravished out of the sensuality, and out of mind of any earthly things, then in great fervour of love and light (if our Lord vouchsafe) the soul may hear and feel heavenly sound, made by the presence of angels in loving of God. Not that this song of angels is the sovereign joy of the soul; but for the difference that is between a man’s soul in flesh and an angel, because of uncleanness, a soul may not hear it, but by ravishing in love, and needeth for to be purified well clean, and fulfilled of much charity, or it were able for to hear heavenly sound. For the sovereign and the essential joy is in the love of God by Himself and for Himself, and the secondary is in communing and beholding of angels and ghostly creatures.

For right as a soul, in understanding of ghostly things, is often times touched and moved through bodily imagination by working of angels; as Ezekiel the prophet did see in bodily imagination the soothfastness of God’s privities; right so, in the love of God, a soul by the presence of angels is ravished out of mind of all earthly and fleshly things in to an heavenly joy, to hear angel’s song and heavenly sound, after that the charity is more or less.

Now, then, me thinketh that there may no soul feel verily angel’s song nor heavenly sound, but he be in perfect charity; though all that are in perfect charity have not felt it, but only that soul that is so purified in the fire of love that all earthly savour is brent out of it, and all mean letting between the soul and the cleanness of angels is broken and put away from it. Then soothly may he sing a new song, and soothly he may hear a blessed heavenly sound, and angel’s song without deceit or feigning. Our Lord woteth there that soul is that, for abundance of burning love, is worthy to hear angel’s song. […]

For if a man have any presumption in his fantasies and in his workings, and thereby falleth in to indiscreet imagination, as it were in a frenzy, and is not ordered nor ruled of grace, nor comforted by ghostly strength, the devil entereth in, and by his false illuminations, and by his false sounds, and by his false sweetnesses, he deceiveth a man’s soul. And of this false ground springeth errors, and heresies, false prophecies, presumptions, and false reasonings, blasphemings, and slanderings, and many other mischiefs. And, therefore, if thou see any man ghostly occupied fall in any of these sins and these deceits, or in frenzies, wete thou well that he never heard nor felt angel’s song nor heavenly sound. For, soothly, he that heareth verily angel’s song, he is made so wise that he shall never err by fantasy, nor by indiscretion, nor by no slight of working of the devil. [Source: Gardner, 1910; slightly modernized]

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Bibliography

Gardner, Edmund G. (ed.). The Cell of Self-Knowledge: Seven Early English Mystical Treatises Printed by Henry Pepwell in 1521. London, 1910. IV. A Devout Treatise compiled by Master Walter Hylton of the Song of Angels (pp. 63−73). [Google Books]

Underhill, Evelyn (ed.). The Cloud of Unknowing. London, 1922.

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Guigo II’s Ladder of Monks

Bodleian Library MS Douce 322

HAPPILY, the practice of lectio divina has become more common amongst Catholics in the last 20 years. While lectio divina itself is very ancient, the most popular form consists of the four steps of lectio (reading), meditatio (meditation), oratio (prayer) and contemplatio (contemplation).  This form comes from the writings of the Carthusian, Guigo II (fl. c. 1170), 9th prior of the Grand Chartreuse monastery.

Guigo explains his method in a letter to a friend. The short (a little over 10 pages) letter is a spiritual masterpiece and deserves to be read entirely.  Perhaps due in part to copyright reasons, the excellent English translation of Colledge and Walsh is not freely available on the web.  Instead, people have reposted a few excerpts in various places.

Fortunately there’s another option.  A translation of Guigo’s letter into Middle English was made in the 14th century, the full title of which is A Ladder of Foure Ronges by the Which Men Mowe Clyme to Heven. Not only is it a good translation, but both the spiritual insight and literary skills of the anonymous author are formidable.  He or she also added about 20% new materiel in the form of explanations and quaint analogies that explain Guigo’s points better.  It is a very ‘poetic’ work, just as we find in the writings of other Middle English mystics like Richard Rolle, Walter Hilton and the anonymous Cloud of Unknowing author.

The complete transcription of the Middle English version made by James Hogg is also not freely available.  However on a website dedicated to Julian of Norwich is what appears to be a modernized version of Ladder of Foure Ronges.  It’s not a simple word-for-word modernization (which in this case I would personally prefer), however, and might actually be an amalgam of Guigo’s letter and the Middle English version.  In any case, it appears to include all of Guigo’s original content as well as the new material in Four Ronges.

To demonstrate the style of the Middle English version, here’s a paragraph where the anonymous author likens contemplation to a delicious and intoxicating rare wine and God to a savvy taverner:

So doth God Almyʒty to his loveris in contemplacion as a tauerner that good wyne hath to selle dooth to good drynkeris that wolle drynke wele of his wyne & largely spende. Wele he knowith what they be there he seeth hem in the strete. Pryvely he wendyth and rowndith hem in the eere & seyth to them that he hath a clarete, & that alle fyne for ther owyn mouth. He tollyth hem to howse & ʒevyth hem a taast. Sone whanno they haue tastyd therof and that they thynke the drynke good & gretly to ther plesauns, thann

they drynke dayly & nyʒtly,
and the more they drynke, the more they may.
Suche lykyng they haue of that drynke
that of none other wyne they thynke,
but oonly for to drynke their fylle
and to haue of this drynke alle their wylle.

And so they spende that they haue, and syth they spende or lene [pawn] to wedde surcote [coat] or hode [hood] & alle that they may for to drynke with lykyng whiles that them it good thynkith. Thus it faryth sumtyme by Goddis loveris that from the tyme that they hadde tastyd of this pyment, that is of the swettnesse of God, such lykyng þei founde theryn that as drunkyn men they did spende that they hadde, and ʒafe themself to fastyng and to wakyng & to other penauns [penance] doyng. And whann they hadde no more to spende they leyde their weddys, as apostelys, martyrys, & maydenys ʒounge of ʒeris dyd in their tyme (Source: Hodgson, 1949; p. 466)

In modern English the passage is:

So does God Almighty to his Lovers in contemplation like a taverner, who has good wine to sell, to good drinkers who will drink well of his wine and spend well. He knows them well when he sees them in the street. Quietly he goes to them and whispers in their ear and says to them that he has a claret, and of good taste in the mouth. He entices them to his house and gives them a taste. Soon when they have tasted of it and think the drink good and greatly to their pleasure, then

They drink all night, they drink all day;

And the more they drink, the more they may.

Such liking they have of that drink

That of none other wine they think,

But only for to drink their fill

And to have of this drink all their will.

And so they spend what they have, and then they sell or pawn their coat, their hood and all they may, for to drink with liking while they think it good.

Thus it fares sometimes with God’s lovers that from the time that they had tasted of this potion, that is, of the sweetness of God, such liking they found in it that as drunken men they spent what they had and gave themselves to fasting and to watching and to doing other penance. And when they had not more to spend they pledged their clothes, as apostles, martyrs, and young maidens did in their time.

Hodgson comments:

The Ladder of Four Rungs reads like original prose, expressive of the writer. It is not merely a clear reproduction of a Latin treatise in another tongue, but a distinct piece of creative writing. Sentence by sentence comparison with the Latin, far from blunting the edge of the translation, throws into more pointed emphasis its verve and originality.

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Bibliography

Anonymous.  The Ladder of Four Rungs, Guigo II on Contemplation.  Ultima website. umilta.net/ladder.html Accessed: 22 Nov. 2022.

Colledge, Edmund; Walsh, James (trs.). Guigo II: The Ladder of Monks and Twelve Meditations. Cistercian Studies 48. Kalamazoo, 1981. (= Image Books, 1978). [free e-borrow at arhive.org]

Hodgson, Phyllis. A Ladder of Foure Ronges by the Whiche Men mowe wele clyme to Heven. A study of the prose style of a Middle English translation. Modern Language Review 44.4, 1949, 465−475.

Hodgson, Phyllis. Deonise Hid Divinite and Other Treatises on Contemplative Prayer. Early English Text Society 231. Oxford University Press, 1955. Appendix B (pp. 100−117) is a transcription of Ladder of Foure Ronges.

Hogg, James (ed.). The Rewyll of Seynt Sauioure and A Ladder of Foure Ronges by the which Men Mowe Clyme to Heven. Edited from the MSS. Cambridge University Library Ff. 6. 33 and London Guildhall 25524, Volume 1. Salzburg, 2003.

Iguchi, Atsushi. Translating grace: the Scala Claustralium and A Ladder of Foure Ronges. Review of English Studies, vol. 59, no. 242, 2008, pp. 659–676.

McCann, Justin. (tr.) A Ladder of Four Rungs. London, 1926. (McCann rearranges the Middle English translation to follow the order of Guigo II’s original.)

McCann, Justin (ed.). A Ladder of Four Rungs, being a treatise on prayer by Dom Guy II, ninth prior of the Grande Chartreuse, in a Middle English Version. Stanforth Abbey, 1953.

Nau, Pascale-Dominique (tr.).  Guigo II: The Ladder of Monks. Lulu Press, 2013.

Wilmart, André. Auteurs spirituels et textes dévots du moyen âge latin: études d’histoire littéraire. Auteurs spirituels et textes devotes de moyen age latin. Paris, 1932.

Latin text

Guigonis Carthusiensis. Scala claustralium (Ladder of Monks). J. P. Migne Patrologia Latina 184 cols 475−484. Paris, 1854.

Manuscripts of Ladder of Foure Ronges

Cambridge, University Library, Ff.6.33

Bodleian Library MS Douce 322

British Museum MS Harley 1706

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De septem septenis

De septem septinis, London British Library MS Harley 3969, fol. 206v

THE mystagogical work De septem septenis (On the Seven Sevens) is a curious medieval treatise. It was written in the early 12th century — but probably not by the scholastic philosopher, John of Salisbury, to whom it’s attributed.  The overall orientation is Christian, yet it includes references to Hermetic, Platonic and Chaldean teachings. Its title refers to seven groups of seven things each:

1. Seven steps to learning;
2. Seven liberal arts;
3. Seven windows of the soul (two eyes, two ears, two nostrils and mouth);
4. Seven faculties of the mind (animus, mens, imaginatio, opinio, ratio, intellectus, memoria);
5. Seven cardinal and theological virtues;
6. Seven types of contemplation (meditatio, soliloquium, circumspectio, ascensio, revelatio, emissio, inspiratio); and
7. Seven principles of Nature.

It is not to be confused with De quinque septenis (On the Five Sevens), a more traditionally themed work by Hugh of St. Victor that relates the seven petitions of the Lord’s Prayer, the seven gifts of the Holy Spirit, the seven Beatitudes, the seven virtues, and the seven deadly sins. That work became the source of many medieval illustrations of the so-called Wheel of Sevens.

The background of Septem septenis — what little we can surmise from the internal evidence — is most interesting.  According to Németh (2013), a single sentence in Martianus Capella’s 5th century Latin work, De nuptiis Philologiae et Mercurii (On the Marriage of Philology and Mercury) — a popular work in the Middle Ages and principle source on the divisions of education known as the Trivium and the Quadrivium — made an ambiguous reference to what was understood to be an ancient work on “divinization,” called the egerimion. The Septem septimis, Németh suggests, is an attempt of an anonymous medieval Christian writer to either reconstruct or imitate the fabled egerimion, which it explicitly mentions.

The seven sections of Septem septimis appear somewhat cobbled together from various sources. Section 6 is an abridged version of De contemplatione et ejus speciebus (On Contemplation and its Species), a work possibly by Richard of St. Victor. Section 7 may have some connection with the School of Chartres, which studied and commented on the cosmological theories of Plato’s Timaeus.

Is this just a mishmash — some student forgery or prank?  Or is there an internal consistency and coherent message, which the author wishes to communicate in a very creative and non-traditional way?  As there has been no modern interest in the work (it’s never been translated) it’s perhaps too early to say.

As discussed in the last post, Google Latin-to-English translation has reached now reached a respectable level of accuracy.  Below are lightly edited Google translations of the Section 1 and part of Section 6.  The former sets the stage by claiming the authority of ancient Greek and Chaldean writings — which, the author claims, unlike the Latin tradition, are not limited by a narrow focus on rationalism.  The latter passage discusses a kind of contemplation which the author calls ascension.

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Sect. 1. Prima septena de septem modis eruditiomis

Section 1.  The First Seven are the Seven Modes of Learning

CHALDAEI et Græci sapientiam quærunt: Latine veritatem inquirunt: illi quærunt et inveniunt, quia mores cum scientia componunt; isti inquirunt et non inveniunt, quia disputationis potius cavillationi quam veritatis inquisitioni insistunt.

The Chaldaeans and Greeks seek wisdom, Latins inquire after truth. The former seek and find, because they combine morals with knowledge; the latter search and do not find, because they dispute and cavil rather than only search for truth.

Cavillosa vero disputatio ingenium exercendo excitat, in qua si moram fecerit obtundit et fascinat: quod quidem in invio et non in via veritatis hebes et palpans errat; veritatis autem inquisitio cotis vice clarum ingenium et subtile reddit: in viam regiam mentem dirigit, mentis oculos ad ardua erigit.

A caviling discussion may exercise and awaken the intellect, but, if prolonged, it stuns and fascinates: which, indeed, errs dull and groping and not in the path of truth. But a genuine search for truth on the other hand makes the intellect clear and subtle: it directs the mind in the royal road, it raises the eyes of the mind to the heights.

Et licet hisce oculis quandoque quædam aperiantur quæ latuerunt, adhuc tamen multa latent, quæ comprehendi non possunt, vel subtilitate, quia sensum effugiunt, vel obscuritate, quia nec studium nec ingenium admittunt, vel immensitate, quia rationem et intellectum excedunt. Hinc est igitur quod divina quædam sunt quæ in manifestationem veniunt et ad cognitionem se exponunt. Sed quoniam subtilia, difficilia et ardua sunt, tanquam inscrutabilia fere omnes prætermittunt. Hæc prima rerum principia, id est rerum causæ latentes et cognitiones dicuntur. De quibus præclara Chaldæorum tantum scripta ad majorem veritatis evidentiam scrutantur.

And though these eyes may sometimes reveal some things which were hidden, yet many things are still hidden which cannot be comprehended, either by subtlety, because they escape the senses, or by obscurity, because they admit neither study nor genius, or by immensity, because they exceed reason and Intellect. Hence it is that there are divine things which come into manifestation and expose themselves to knowledge. But since they are subtle, difficult, and arduous, almost everyone dismisses them as inscrutable. These are called the first principles of things, that is, the latent causes of things and knowledge. Of which only the famous writings of the Chaldeans are carefully searched for the greater evidence of the truth.

Alia vero quædam divina tam profunda, tam occulta, tam intima et omnino impenetrabilia sunt, ut nulla ratione scrutari, nullo intellectu percipi, nulla sapientia investigari possint. Unde Apostolus Quod notum Dei et manifestum est in illis. Quum dicit quod notum Dei est, id est noscibile de Deo, ostendit plane ex his quæ Dei sunt et in Deo aliquid esse manifestum, aliquid occultum. Sed quod manifestum est, per scientias posse contingi.

Things are so deep, so hidden, so intimate, and completely impenetrable, that they cannot be rationally studied, perceived by any understanding, or investigated by any wisdom. Wherefore the Apostle says, What is known of God and is manifest in them. When he says that what is known of God, that is, that is knowable of God, he clearly shows that from the things that are of God and in God there is something manifest, something hidden. But what is clear is that it can be reached through science.

Quod prorsus absconditum est, nulla ratione posse penetrari. Et haec sunt secreta illa, quæ non licet homini loqui. Proinde, ut in Apostolo scribitur, Sapientiam inter perfectos loquimur. Sapientia namque Pallas, id est nova dicitur, quia scandens ad eam minoratur. Minerva vel Athena, id est immortalis, vocatur, quia verbo et opere eam sequens ad immortalitatem rapitur. Hæc igitur Tritonia, id est trina notio, nuncupatur, quia humano animo sapientia illustrato engerimion, id est surrationis liber aperitur, in quo ab humanis ad divina surgere septem septenis eruditur, et ad trinam, humanæ scilicet naturæ, angelicæ et divinæ, notionem ascendere perfectius instruitur.

What is completely hidden cannot be penetrated by rationality. And these are those secrets which it is not lawful for a man to speak. Therefore, as it is written in the Apostle, we speak wisdom among the perfect. For wisdom is Pallas, that is, it is said to be new, because when one ascends to it, it diminishes. Minerva or Athena, that is, immortal [JU: apparently from athanatos, undying], is called because following her in word and deed he is carried away to immortality. Therefore this Tritonia, that is, the triple concept, is called, because in the human mind, enlightened wisdom engerimion, that is, the book of resurrection is opened, in which it is learned to rise from the human to the divine seven sevens, and to ascend more perfectly to the triple concept, that is, the human nature, the angelic and the divine is instructed.

Septem sunt modi primæ septenæ, quibus humanus animus in perfectam eruditionem introducitur. Primus modus est, omnium artium doctrinam velle, secundus est delectari quod velis: tertius instare ad id quod delectat: quartus, concipere quod instat: quintus, memorare quod concipit, sextus invenire aliquid simile: septimus ex his omnibus extorquere quod est utile.

There are seven ways, the first seven, by which the human mind is introduced into perfect learning. The first way is to desire the learning of all arts, the second is to delight in what you want, the third to insist on what delights, the fourth to conceive what is urgent, the fifth to remember what one conceives, the sixth to discover similitudes, the seventh to wring from all these things that are useful.

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Sect. 6. Sexta septema de septem generibus contemplationis

Section 6.  The Sixth Seven are the Seven Kinds of Contemplation

SEXTA septena de septem generibus contemplationis sequitur, in quibus anima requiescens jucundus immoratur. Septem sunt contemplationis genera, meditatio, soliloquium, circumspectio, ascensio, revelatio, emissio, inspiratio. […]

The sixth seven are the seven kinds of contemplation that follow, in which the soul rests and dwells in delightf. There are seven kinds of contemplation: meditation, soliloquy, survey [or scrutiny], ascension, revelation, release, and inspiration. […]

Quarta species. Ascensio.

Ascensio est ad immortalia in excelsis animi digressio; unde Propheta: “Beatus vir, cujus est auxilium abs te ascensiones in corde suo disposuit” [cf. Vulgate Psa 83:6, beatus homo cuius fortitudo est in te semitae in corde eius]. Tres sunt ascensiones in corde suo dispositae.

The ascent to immortality is the highest going of the soul; whence the Prophet: Blessed is the man whose strength is in You, whose heart is set on pilgrimage. [Psa 84:5; NKJV] There are three ascents arranged in his heart.

Tres sunt ascensiones Christi: tres quoque nostri. Prius enim Christus ascendit in montem, deinde in crucem, tandem ad patrem.

There are three ascents of Christ: ours are also three. For first Christ ascended the mountain, then the cross, and finally to the Father.

In monte docuit discipulos; in cruce redemit captivos; in coelo glorificavit electos.
In monte doctrinam protulit humilitatis; in cruce formam expressit caritatis; in coelo coronam præbuit felicitatis.
In primo præbuit lumen scientiæ; in secundo culmen justitiæ; in tertio numen gloriæ.

He taught the disciples on the mountain; He redeemed the captives on the cross; He glorified the elect in heaven.
On the mountain he brought forth the doctrine of humility; on the cross he expressed the form of charity; He gave a crown of happiness in heaven.
In the first place He provided the light of knowledge; in the second summit of justice; in the third divine glory.

Tres sunt nostri ascensiones; prima in actu; secunda in affectu; tertia in intellectu.

Three are our ascents: first in action; second in affect; third in understanding.

[JU: So in addition to the traditional distinction between the affective and intellective divisions of the human soul, the author introduces a third aspect of our nature, action or activity.  Ascent occurs on all three.]

Ascensio vero actualiter triplex; prima in confessione culparum; secundain largitione eleemosynarum; tertia in contemptu divitiarum, prima in operibus poenitentiæ; secunda in operibus misericordiæ; tertia in operibus consummatæ justitiae; prima meretur veniam; secunda gratiam; tertia gloriam.

Ascension in action is threefold: first in confession of faults; second, giving of alms; third in contempt of riches: the first in works of penitence, the second in works of mercy, the third in works of consummate righteousness; the first merits forgiveness, the second grace, the third glory.

[JU: The author is weaving together in a plausible way Hermetic and Platonic themes of divinisation with traditional Christian virtues of self-examination, compunction, humility, and charity.]

Ascensio affectualis triplex: prima est ad perfectam humilitatem; secunda ad consummatam caritatem; tertia ad contemplationis puritatem.

Affective ascent is threefold: first to perfect humility; second to consummate charity; third to purity of contemplation.

Ascensio vero intellectuali illuminat et imperat; actus illuminatur et obtemperat; affectus illuminat, et illuminatur, et intellectui obtemperat et actui imperat.

Intellectual ascent illuminates and commands; action is enlightened and obeyed; affect enlightens and is enlightened, and obeys the understanding and commands action.

[JU: This paragraph seems to dense for Google to reliably translate.  The main idea is that there is dynamic interplay between the ascents of action, affect and understanding: mutual illumination and directing.]

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Bibliography

Baron, Roger (ed.). De contemplatione et ejus speciebus (La Contemplation et Ses Espèces). Desclée, 1955.

Giles, J. A. (ed.). De septem septenis. In: Joannis Saresberiensis postea episcopi camotensis opera omnia, vol. V: Opuscula.  Oxford, 1848; 209−238. Reprinted in Jacques-Paul Migne, Patrologia Latina, vol. 199, cols. 945−965. Paris, 1855. [Latin text] [Latin text]

Hugh of St. Victor. De quinque septenis. Jacques-Paul Migne, Patrologia Latina, vol. 175, cols. 405B−414A. Paris, 1854.

Németh, Csaba. Fabricating philosophical authority in the Twelfth Century: The Liber Egerimion and the De septem septenis. Authorities in the Middle Ages. De Gruyter, 2013; 69−87.

Manuscripts

Cambridge Corpus Christi College MS 459 fol. 99r-107v.

London British Library Harley MS 3969 fol. 206v−215v.

first draft: 19 Nov 2022; please excuse typos

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