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Martianus Capella, The Apotheosis of Philologia

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Sandro Botticelli, Venus and the Three Graces Presenting Gifts to a Young Woman, 1483–1486.

BOOK II of Martianus Capella’s On the Marriage of Philology and Mercury (De nuptiis Philologiae et Mercurii) continues the mythical introduction to the work (the previous post discusses Book I).  Before she can marry Mercury, Philologia (love of study) must ascend to heaven.  In preparation for this she is greeted and praised by a succession of goddesses and other divinities, including Phronesis (her mother), the Seven Muses, Philosophy, the Graces, the Virtues, Immortality, and Astrae. The speeches of the Muses, especially noteworthy, are presented below.

Modern writers criticize Martianus for what they call his ‘turgid prose’ and elaborate descriptions.  But this is seeing him through the lens of narrow rationalism.  May we instead adopt a post-rationalist worldview, and accept that he is either (1) using art intentionally to convey a fuller message, or (2) that he just might be inspired, whether by some divine power, the collective unconscious, or both?  May we in the 21st century regain an appreciation for the prophetic sense?

In Book III Martianus himself addresses his critics:

[221] Once again in this little book the Muse prepares her ornaments and wants to tell fabricated stories at first, remembering that utility cannot clothe the naked truth; she regards it as a weakness of the poet to make straightforward and undisguised statements, and she brings a light touch to literary style and adds beauty to a page that is already heavily colored. (Stahl et al, p. 64).

Criticisms notwithstanding, the purpose of the myth in the first two books seems as explicitly religious as it is momentous: Martianus is suggesting that Philologia — this quality of love of study, of scholarship, of yearning to understand the meanings of things — is something divine.  And it seems likely he considers this a means of gradual ascent of the mind (nous) in a manner consistent with Platonism and Neoplatonism.

Small wonder, then, that this work exerted such a profound influence on education and consciousness in the West for 1000 years after he wrote, from the fall of  the Roman Empire to the Renaissance.  His message should be heard again today.  The purpose of Liberal Arts education is neither utilitarian, nor merely to make a ‘good and productive citizen.’  It is part of the far more significant process of divinization, of ‘assimilation to God insofar as possible.’

Two details concerning the following should be noted.  First, the Seven Muses are not the same as the Seven Liberal Arts, which are treated in the remaining seven books.  Second, Martianus deviates somewhat from how other writers interpret each Muse.  The English translation of Stahl et al. has been lightly edited.

[117] BEFORE the door, sweet music with manifold charms was raised, the chorus of assembled Muses singing in well-trained harmony to honor the marriage ceremony. Flutes, lyres, the grand swell of the water organ blended in tuneful song and with a melodious ending as they became silent for an appropriate interval of unaccompanied singing by the Muses. Then the entire chorus with melodious voices and sweet harmony outstripped the beauty of all the instrumental music, and the following words were poured forth in notes of sacred song:

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[118] Then, while the others kept quiet a moment, URANIA (Muse of astronomy) began:

“With trust in the divine will and without disputing,
Behold the assemblies of the stars,
And the sacred vaults of the heavens;
You formerly studied what cause whirled the interdependent spheres,
Now as their leader you shall assign causes to their sweeping motions.
You shall perceive what is the fabric that connects their circuits,
What bond encompasses them,
And what huge spheres are enclosed within a curving orbit;
You will see what drives on and what delays courses of the planets,
Which rays of the sun inflame the moon or diminish its light,
What substance kindles the stars in heaven,
And how great are the bodies which heaven spins around,
What is the providence of the gods, and what its mode of operation.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[119] Then sang CALLIOPE (Muse of epic poetry):

“Always a friend to the favoring Muses,
For you Magnesian rivers and the fountain of Pegasus have poured your drink,
For you the Aonid peak [Mount Helicon], green with garlands, puts forth its leaves, while Cirrha prepares violets;
You know how to chant prophecies to the sweet Muses,
And to play the lyre of Pindar,
And at your word the strings and the sacred plectrum,
Know how to pour forth the Thracian song.
Light of our lives, praise always our sacred songs,
And approve the music that we play.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks uou to rise to the lofty stars.”

[120] Thus sang POLYMNIA (Muse of rhythm and poetic meter):

“You have been exalted and, though recently of mortal blood,
Are now endowed with godhead;
At last you reap the rewards of your efforts:
The shining sky, the abodes of the gods, and the companionship of Jove.
You are used to combining and dispersing a variety of sounds,
According to the rules of rhythm,
To assessing then which syllable, marked with the macron,
Is pronounced with circumflexion,
Which with the mark of brevity the micron curves;
To assessing melodies and tones and tunes and all such knowledge,
And all that can, when the mind is urged to it,
Gain the heights of heaven.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[121] Thus sang MELPOMEME (Muse of sacred theater):

“You are accustomed to sing tragic songs for the theater,
Or wear the boot of comedy and echo the songs,
Which under your care we offered when sweet music aided us;
Now to you, maiden, our champion and our expositor,
Made immortal by the theme of your song, to you I sing.
For I am happy to adorn your bridal chamber,
And may my garlands be acceptable in your service.
May you ever seem worthy of an Olympian wedding,
Ever fairer than the other gods.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupitet asks you to rise to the lofty stars.”

[122] Thus sang CLIO (Muse of history and rhetoric):

“You sound forth in the guise of the rhetorician,
And set free by your passion the man accused.
You link together contrary sentiments,
Building up sophisms by heaping together arguments,
Now binding something together by the rule of grammar,
Clever at using your gift of fine speech,
To play with words that by their double meaning destroy the ordinary sense;
Now gaze upon the starry threshold of the sky,
And enjoy the holy whiteness of heaven,
For it is precious to see that in its true light.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[123] Next spoke ERATO (Muse of lyric and love poetry):

“O famous maiden, to whom the palace of the Thunderer is open,
Source of the arts, rightly is the world subject to you,
Since it was from the beginning apprehended by your rational principles.
Why the sacred lightning flashes,
Whence the echoing thunder sounds,
What drives the moisture through the opening of the sky when the storm clouds gather,
What is brought back by the clearness of spring when the rain clouds march away,
Why the circle of the year spins round to end all the hurrying centuries
—we avow that secrets unknown to others are known to you alone.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[124] Then sang TERPSICHORE (Muse of dance and chorus):

“I am delighted, dear maiden, that through this honor you gain a sight of the stars!
Your industry and the genius of your nature have won this for you.
That wakeful concentration of yours bestowed this honor on your lucubrations.
Having toiled day and night on the sacred writings,
And knowing the future and being ready to learn,
You have understood what the Stoics offer in their sacrifices when the flame puffs from the kindling.
For without misgivings, with unhesitating utterance,
You anticipate what the smoke tells on the flaming altars of the Sabaeans,
What message is brought by air thick with the ash of incense,
Or what the sure signs foretell by prophetic voices.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[125] Then EUTERPE (Muse of flute music) began:

“O maiden, our guide to skillful prophecy,
Who could ascend to heaven and bring down to pure souls,
The sacred teachings by which they were able to know themselves,
And by which they discerned
And saw with a clear light the decrees of fate and the countenances of the spirits,
And who allotted stars to be the minds of Plato and Pythagoras,
And who has ordered ephemeral creatures,
To behold the decree of heaven with all obscurity removed:
Rightly ascend to the senate of the Thunderer,
You who alone are fit to be married to Mercury.

Ascend into the temples of heaven, maiden, deserving of such a marriage;
your father-in-law Jupiter asks you to rise to the lofty stars.”

[126] Then THALIA (Muse of comedy and pastoral poetry) spoke:

“O blessed maiden, who take up the marriage bond,
Amid such a singing of the stars,
And with such approval from the universe,
Become a daughter-in-law of the Thunderer.
Of which god are you to become the wife?
He alone on wandering wing, alert for sudden storms,
Flies out beyond the stars of the universe,
And when he has crossed the straits on high, returns to Tartarus.
He alone is able to wield his famous staff before the chariot and white horses of the high father;
He alone gladly restores the fortunes of Osiris as he falls,
Whom the father of the gods knows to be weighed down by the life-giving seed he has discovered;
To Mercury his stepmother gladly gave her milky breast;
His powerful caduceus counteracts dread poison;
And when he speaks, all venom is dissolved.
He is learned among the gods; but this girl is still more learned.
Now, now the arts are blessed, which you two so sanctify,
That they allow men to rise to heaven and open to them the stars,
And allow holy prayers to fly up to the clear sky.
Through you the mind’s intelligence, alert and noble, fills the uttermost depth,
Through you proven eloquence brings everlasting glory.
You bless all subjects, and you bless us, the Muses.”

Bibliography

Cristante, Lucio; Lenaz, Luciano. Martiani Capellae: De nuptiis Philologiae et Mercurii. Vol. 1, Libri I – II. Bibliotheca Weidmanniana, 15.1. Hildesheim: Weidmann, 2011.

Stahl, William Harris; Johnson, Richard; Burge, E. L. The Marriage of Philology and Mercury. Columbia University Press, 1977.

Willis, James (ed.). Martianus Capella: De nuptiis Philologiae et Mercurii libri IX. Leipzig: Teubner, 1983. (Critical edition of Latin text.)

1st draft, 1 Apr 2020

Psuedo-Procopius of Gaza’s Platonic Commentary on Proverbs

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Gustave Doré, Solomon (cropped image)

THE BIBLE not only has important psychological meanings, but contains a blueprint for ethical renovation of the personality. Philo of Alexandria (fl. c. 20 AD), the master allegorical exegesis, makes a compelling case for the interpretation of the Pentateuch  according to Platonic ethics and moral psychology. Philo wrote very little about other books of the Old Testament, but nothing prevents us from applying his Platonic interpretive model more generally.  Indeed, the Wisdom Books would seem like prime candidates for this.  Their principal subject is, after all, Wisdom; and this was also the central concern of Plato, who understood philosophy (philosophia) as literally the love of Wisdom.  Indeed, the Wisdom of Solomon has long been suspected of being written by a Jewish Alexandrian Platonist (or even Philo himself) — and this book seems fully consistent with the themes, message, language and imagery of the other Wisdom Books.

A new translation by Justin Gohl (2019) of a little-studied work sheds important light on this subject. The work is a commentary on Proverbs attributed to Procopius of Gaza (c. 465–528), leader of the so-called School of Gaza.  Procopius’ authorship is now disputed, and the author is now referred to as Pseudo-Procopius.  The date of composition is similarly unknown, and could be anywhere between the 5th and 10th centuries.  The work shows the influence of Philo and Christian Platonists like Origen, Basil, Gregory of Nyssa, Evagrius of Pontus, and perhaps Maximus Confessor.

What matters more for us, though, is not the author or age of the work, but the relevance and plausibility of its interpretations.  On that basis, we would have to consider this a work of some importance and one that merits serious study.  It stands as (in my opinion, at least) as one of the best examples of a fully Platonic commentary on any Book of the Bible.

Proverbs, traditionally attributed to Solomon, is actually a compilation of several smaller compilations.  The first (Proverbs 1−9) is the most recent, thought to have reached its present form in Persian or Hellenistic times.  Gohl’s translation covers only this part of the Commentary. However consultation of the Greek text (with Latin translation) in Migne PG 87 suggests that this is representative of the whole Commentary.

A basic premise of the Commentary is the Platonic tripartite model of the human soul, which we outline below.

Plato’s Model of Soul

According to Plato — and he explains in Phaedrus, Republic and Timaeus — the human soul consists of appetitive, irascible (spirited, angry, ambitious) and rational elements.  Sometimes Plato refers to the first two combined as the irrational soul; their activity is called passions.

Proper function of the soul involves moderation of appetitive and irascible passions by the rational element.  The rational element should act as a wise governor or guide, neither giving full reign to passions nor denying them completely.  Rather it limits their expression according to just or right measure, producing harmonious operation of the psyche. This balanced, harmonious mental milieu, in turn, helps the rational part judge rightly: tranquility (ataraxia) and mental clarity allow us to maintain a vision of the Good, along with accurate perceptions and sound beliefs.

Our mental apparatus fails, however, when the rational element doesn’t properly exercise its moderating role, either overindulging, or over- suppressing an impulse, creating discord and conflict.

Importantly, for Plato there’s an integral connection between epistemology and ethics: virtue begets wisdom and wisdom, virtue — and, similarly, vice begets folly and folly begets vice.

Implicit in Plato’s system is a cognitive model of moral error.  Wrong actions are not always or even usually a simple matter of caving into a temptation.  There’s an intermediate step.  When first presented with an impulse to over-indulge an appetite or passion, we frequently hesitate. At that point opposing arguments — rationalizations — attempting to justify the action may emerge.  Overindulgence, then, is associated with following these wrong inner counsels.  Moreover, this characteristically involves a faulty or biased judgment of what’s good:  we don’t simply  intentionally sin, but often do so after having first convinced ourselves that the action is actually good.  A similar — but sometimes overlooked — process applies to injudicious suppression of appetitive or irascible urges.

This, then, in broad terms outlines our ethical fall for Plato.  This model has very real and practical implications.  The moral lapse, which affects attention, right belief and right judgment, is responsible for all manner of harmful and addictive behaviors, as well as myriad negative mental states like anxiety, worry, hatred, jealousy and the like.  Hence it’s of central importance to our mental and emotional well-being.

Little wonder, then, that both Plato and the Bible would be vitally concerned with helping us remedy this chronic problem in our nature. Since both sources are universally accepted as insightful and authoritative,  and the problem they are trying to solve is the same, we’d expect their remedies to be fundamentally similar.  In Plato and the Bible (and perhaps especially with the Wisdom Books) we have, as it were, two reciprocally illuminating maps for the same journey.

The Strange Woman

The ‘strange woman’ —a prostitute or harlot — is a central figure who recurs throughout Proverbs (Prv 2:16−19; 5:3−8; 5:15−19; 5:20; 6:24−26; 7:5−27; 9:13−18; 20:16; 22:14; 23:27−35; 27:13, 15).  Ps.-Procopius interprets her as a personification of sensual pleasure.  St. Ambrose of Milan (fl. 390 AD) similarly interpreted the strange woman as voluptas in Cain and Abel 4.13−5.15, a paraphrase and expansion of Philo’s discussion of the two wives of the soul (On the Sacrifices of Cain and Abel 1.5.21−34), itself a reworking of Prodicus moral fable, Hercules at the Crossroads.  There are obvious close connections between this interpretation and Philo’s discussion of pleasure’s role in the fall of Adam and Eve in his Allegorical Interpretation.  Indeed, what we might call Ps.-Procopius ‘orthodox Philonism’ (unlike, say, Origen, who typically elaborates on Philo, introducing new doctrinal elements) is very noticeable.

The strange woman is not merely synonymous with sensual pleasure, but represents a complex of psychological processes associated with excessive interest in sensual pleasure.  She also distorts judgment and misleads with false reasoning.  Importantly, she has ulterior motivation, connected with opposition to the life of virtue.  Her ways lead to death and destruction.  According to this view, serious moral error originates not merely in our natural interest in maximizing pleasure, but in a self-destructive energy present in the psyche (cf. the thanatos of Freud’s theories, and pthoras in Philo.)

Opposed to the strange woman is the ‘wife of thy youth’ (Prv 5:15−19) and the good woman of Proverbs 31:10−31, a personification of virtue and Wisdom.

My principal interest here is to alert readers to the existence of Ps-Procopius’ Commentary, argue for it’s importance — both for its own sake and in the history of Platonic and psychological Bible exegesis —and to encourage people to read Gohl’s translation.  However a few excerpts will suffice to illustrate the themes of the work.

Using a familar Platonic and Stoic trope, Ps.-Procopius connects Wisdom with guidance of the mind amidst storms of passions; cf. St. Basil, Homily on the Beginning of Proverbs (Gohl, 2017, 26−29):

Proverbs 1:5b. “And the one who is intelligent will acquire steering.” (LXX).  The one here who has received the true knowledge of existing things [onton episteme], and who likewise recognizes how unstable is the movement of human affairs, is equipped to voyage across (for neither the good fortunes and things desired by the multitudes, nor the misfortunes and downturn of matters have any stability or regularity). Even in the stillness of life, he will expect the changes of all those things to advance on him like a current, and he will not depend upon present things as if they were immortal. And in the more sullen condition, he will not give himself over to despair, such that he might be swallowed up by excessive sorrow, but having the mind as a kind of pilot, controlling the flesh as if it were a boat, and deftly steering the thoughts as though a helm, he will bravely ride the waves, those things stirred up by the passions as though from some violent surging of the fleshly mind. He will be high above these things and difficult to access, in no way being swamped with the brine of these things. And he always remains as the same kind of person, neither being excited by cheerful things, nor falling down into misfortunes.

Here he asserts the principle of the golden mean, a concept we most often associate with Aristotle (i.e., virtue is a right mean between exctremes of excess and deficiency), but which is found in Plato, too:

Proverbs 4:27. “Do not turn to the right nor to the left.” (LXX).  Do not turn aside unto the passions with regard to an excess of virtue, nor unto the [passions] with regard to a deficiency [of virtue]. “And turn your foot away from a way of evil and perversion.” If something of this sort should happen to you, with your intellect being moved toward these things, make [your intellect] cross over promptly, from the ruin that comes with vice in accordance with a deficiency of virtue, and [from the ruin] that comes with evil in accordance with an excess [of virtue], where there is love of labor only, in such a degree that one pursues the good, not for the sake of God, but for the sake of pleasing man.

The strange woman:

Proverbs 5:20. “Do not be much with the strange woman.” (LXX). Do not let the rational part [of your soul] be immoderate with one who is alienated from reason, in accordance with sensible pleasure. But even though you partake of drink or sleep for the sake of the body’s sustenance, and though you are intimate with [your] lawful wife for the sake of bearing children—to which things pleasure is naturally attached—do make use of all of these things with self-control.

The strange woman represents not only sensual pleasure, but, by extension, also the folly that inordinate interest in pleasure produces:

Proverbs 5:5. “For the feet of folly bring those who use her down with death unto Hades.” (LXX). For the impulses of irrationality, along with the natural death itself coming from sin, pull down those who have dealings with it to the utter destruction in terms of somatic ruin.

Inordinate interest in sensual pleasure also produces distorted judgments of what’s good:

Proverbs 5:6. “For she does not travel the ways of life.” (LXX).  For it does not pass through, in terms of practice, the divine commandments that bring [one] unto the life that is eternal and blessed in spirit. “And her paths are perilous, and not easily discerned.” And its courses with regard to contemplation (theoria) err in the judgment of the good, since they do not look to the good with truth, but with false conception (pseudei hypolexei); and they are not apprehended easily in this way, because of the deceit of temporary pleasures.

Bibliography

Colson, F. H.; Whitaker, G. H. (trs.). Philo: On the Sacrifices of Abel and Cain. In: Philo, Volume 2. Loeb Classical Library L227. Harvard University Press, 1929.

DelCogliano, Mark. St. Basil the Great: On Christian Doctrine and Practice. Popular Patristics Series 47. St. Vladimir’s Seminary Press, 2012; pp. 39-78.

Delitzsch, Franz. Biblical Commentary on the Proverbs of Solomon. Vol. 1. M. G. Easton (tr.). T&T Clark, 1874.

Devreesse, Robert. Chaînes exégétiques grecques. In: Dictionnaire de la Bible. Supplément 1. Paris, 1928, pp. 1083−1234.

Gohl, Justin M. St. Basil the Great, Homily 12: On the Beginning of Proverbs (PG 31.385−424). Translation & Notes. 2017.

Gohl, Justin M. Pseudo-Procopius of Gaza, Commentary on Proverbs 1-9 (Ἑρμηνεία εἰς τὰς Παροιμίας). 2019.

Procopius of Gaza (attr.). Interpretation of Proverbs (Ἑρμηνεία εἰς τὰς Παροιμίας).  J. P. Migne, Patrologia Graeca 87.1 1219−1544.  Paris, 1865.

Procopius of Gaza. Commentaria in Proverbia et in Canticum canticorum. In: Nicetas David (ed.), Catena in libros Sapientiales. Parchment, 1050−1150 AD. MS. Parisinus gr. 153, f. 59-117v.

Savage, John J. (tr.). Saint Ambrose: Hexameron, Paradise, and Cain And Abel. Fathers of the Church 42. Catholic University of America, 1961.

Uebersax, John S. The strange woman of Proverbs. 2009. Christian Platonism website. https://catholicgnosis.wordpress.com/2009/05/19/the-strange-woman-of-proverbs/

Uebersax, John S. Philo on the two wives of the soul. 2010. Christian Platonism website. https://catholicgnosis.wordpress.com/2010/02/22/philo-on-the-two-wives-of-the-soul/

Uebersax, John S.  The archetypal meaning of Hercules at the Crossroads. 2020. Christian Platonism website. https://catholicgnosis.wordpress.com/2020/03/02/crossroads-archetype/

Westberg, David. Rhetorical exegesis in Procopius of Gaza’s Commentary on Genesis. In: S. Rubenson (ed.), Early Monasticism and Classical Paideia. Studia Patristica LV, Peeters, 2013, pp. 95−108.

1st draft, 8 Mar 2020

The Archetypal Meaning of Hercules at the Crossroads

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Annibale Carracci, The Choice of Hercules, 1596

THE ATHENIAN philosopher and rhetorician, Prodicus, a contemporary of Socrates, wrote an essay commonly known as Hercules at the Crossroads, which he often delivered orally to appreciative crowds. A moral allegory of deep psychological significance, it describes a young Hercules at a crossroads confronted by two women who personify Vice and Virtue.  Each appeals to him to take a different route: Lady Vice claims the easy path will lead to pleasure and happiness; Lady Virtue reminds him that the road to true and lasting satisfaction is the harder and more toilsome route.

Our best source of the story is Xenophon’s dialogue Memorabilia (2.1.21–34), wherein Socrates is presented as relating Prodicus’ story to a young protege named Aristippus (evidently not the eponymous founder of the Cyrenaic philosophical sect).

Thanks to Xenophon, the story was well known and often alluded to throughout antiquity and beyond.  Cicero, in On Moral Duties (1.32.118; 3.5.25), a work addressed to his son, mentions Prodicus’ tale in the context of choosing ones career.  Others, too, have understood the tale as referring choosing one’s long term course in life.  However we have good reason to believe the story has a deeper psychological and more existential meaning.

One clue to the deeper meaning is the strong appeal of the story throughout the centuries to the artistic imagination.  As Erwin Panovsky (1930) in a seminal work on art history describes, Prodicus story elicited scores of paintings and drawings beginning in the Renaissance.

Another clue to a deeper meaning is to see how this same theme is expressed in many variations throughout antiquity.  The earliest and best known example in the Greek tradition is Hesiod’s Works and Days 1.287−294.

Wickedness (κακότητα; kakotes) can be had in abundance easily: smooth is the road and very nigh she dwells. But in front of virtue (ἀρετῆς; arete) the gods immortal have put sweat: long and steep is the path to her and rough at first; but when you reach the top, then at length the road is easy, hard though it was.
Source: Hesiod, Works and Days 1.287−294 (tr. Evelyn-White)

This passage serves as a virtual epitome of book 1 of Works and Days, which also contains the Pandora and Ages of Man myths, both allegories of the moral fall.

In Greek mythology, a similar trope is found in the Judgment of Paris, where Paris must choose which goddess is more beautiful: Athena, Hera or Aphrodite — allegorically symbolizing Wisdom, domestic virtue, and sensory pleasure, respectively.  His choice of Aphrodite over Athena and Hera led to the Trojan War.  If we understand the Trojan War as allegorically symbolizing the principle of psychomachia, or conflict between virtuous and unvirtuous elements of the human psyche, then the Judgment of Paris may be understood as symbolizing a depth-psychological dynamic that precipitates a fundamental form of  inner conflict.

Plato cites the above passage of Hesiod in two of his works (Republic 2.364d  and Laws 4.718e−719a). Moreover, in two underworld myths presented in his dialogues (Republic 10.614c−d and Gorgias 524a−527a), he describes a parting of two paths — one associated virtue and leading to the Isles of the Blest, and one associated with vice and leading to punishment in Tartarus. If we understand the underworld as symbolizing depth-psychological processes, it suggests that Plato is saying that orienting our mind wrongly leads to internal self-inflicted punishments, the ultimate aim of which is to educated and reform us (Gorgias 525b−c).

The same trope of a parting of the ways in an underworld journey is found in Book 6 of Virgil’s Aeneid (Smith, 2000).  Further, an epigram attributed (probably incorrectly, but perhaps written within a century of Virgil’s death) describes what is commonly called the Pythagorean Y (so-named because of the resemblance of ‘Y’ to a forking path):

This letter of Pythagoras, that bears
This fork’d distinction, to conceit prefers
The form man’s life bears. Virtue’s hard way takes
Upon the right hand path, which entry makes
(To sensual eyes) with difficult affair ;
But when ye once have climb’d the highest stair,
The beauty and the sweetness it contains,
Give rest and comfort, far past all your pains.’
The broadway in a bravery paints ye forth,
(In th’ entry) softness, and much shade of worth;
But when ye reach the top, the taken ones
It headlong hurls down, torn at sharpest stones.
He then, whom virtues love, shall victor crown
Of hardest fortunes, praise wins and renown:
But he that sloth and fruitless luxury
Pursues, and doth with foolish wariness fly
Opposed pains (that all best acts befall).
Lives poor and vile, and dies despised of all.
(tr. George Chapman)

Like Hercules at the Crossroads, the Pythagorean Y inspired many Renaissance works of art.

Philo of Alexandria (fl. ca. 20 AD), the Jewish Middle Platonist philosopher (and, as it happens, the virtual father of Christian allegorical interpretation of the Bible), expanded on Prodicus’ theme in a discussion of the ‘two wives of the soul’ (On the Sacrifices of Cain and Abel 1.5.21−34).  Philo’s treatment is quite interesting in its own right, in part because of his remarkable list of over 150 negative adjectives to describe a votary of Pleasure (who plays the role of Vice in Prodicus’ tale).  Readers of Philo will immediately recognize the connection of the story with his allegorical interpretation of the Garden of Eden myth.

Centuries later, St. Ambrose of Milan (fl. 390 AD), in Cain and Abel 4.13−5.15, paraphrased Philo’s discussion and connected it with the ‘strange woman’ (Uebersax, 2009) in the Book of Proverbs (Prv 2:16−19; 5:3−8; 5:15−19; 5:20; 6:24−26; 7:5−27; 9:13−18; 20:16; 22:14; 23:27−35; 27:13, 15), a personification of pleasure and/or folly, and opponent of the virtuous ‘wife of thy youth.’ (Prv 5:15−19).

The theme of two paths associated with a choice or judgment concerning virtue vs. wickedness occurs throughout the Old and New Testament.  Perhaps best known is Psalm 1 (traditionally called The Two Paths).

When we find the same theme like this so prominently expressed across many times and traditions, it implies some universal, archetypal psychological dynamic of fundamental significance. That, I believe, is the case here. This is not a simple, prosaic morality tale such that “one must choose good and not evil.” Rather it confronts us with the existential fact — readily verifiable by introspection and close attention to thoughts — that we are always, every moment at our lives, faced with the two paths:  we can direct the immediate energies of our mind towards seeking physical pleasure, or to virtue, spirituality and higher cognitive activity.  When we choose the latter, all is well. Our mind is a harmony.  This is the path of life. But the moment we stop actively choosing virtue, our mind lapses into its immature state dominated by the pleasure principle; we are no longer true to our genuine nature, and a cascading sequence of negative mental events ensues.

This is not unlike the Freudian distinction between the pleasure principle and the reality principle, which, according to him, it is the principal task of the ego to broker.  However in this case, the reality principle is replaced by what we might call the virtue principle:  that our psyche is, in its core, fundamentally aligned with virtue.  In a sense this is still a reality principle — but, here the reality is that our nature seeks virtue.

To choose the path of virtue, wisdom and righteousness on an ongoing basis is not easy. It is, rather, as Plato calls it, the contest of contests (Gorgias 526e) and requires a degree of resolve and effort we may perhaps rightly call Herculean.

Bibliography

Colson, F. H.; Whitaker, G. H. (trs.). Philo: On the Sacrifices of Abel and Cain. In: Philo, Volume 2. Loeb Classical Library L227. Harvard University Press, 1929.

Evelyn-White, Hugh G. (tr.). Hesiod: Works and Days. In: Hesiod, Homeric Hymns and Homerica. Loeb Classical Library L057. Harvard University Press, 1943.

Marchant, E. C. Xenophon: Memorabilia and Oeconomicus. Harvard University Press, 1923. http://data.perseus.org/texts/urn:cts:greekLit:tlg0032.tlg002.perseus-eng1

Miller, Walter (tr.). Cicero: De Officiis. Loeb Classical Library L030. Harvard University Press, 1913. https://archive.org/details/deofficiiswithen00ciceuoft

Panofsky, Erwin. Hercules am Scheidewege und andere antike Bildstoffi in der neueren Kunst, Studien der Bibliothek Warburg 18, Leipzig, 1930.

Rochette, Bruno. Héraclès à la croissé des chemins: un topos dans la literature grécolatine. Études Classiques 66, 1998, 105−113.

Savage, John J. (tr.). Saint Ambrose: Hexameron, Paradise, and Cain And Abel. Fathers of the Church 42. Catholic University of America, 1961.

Smith, Richard Upsher. The Pythagorean letter and Virgil’s golden bough. Dionysius 18, 2000, pp. 7−24. https://dialnet.unirioja.es/revista/10126/A/2000

Uebersax, John S.  The strange woman of Proverbs. 2009. https://catholicgnosis.wordpress.com/2009/05/19/the-strange-woman-of-proverbs/

1st draft, 1 Mar 2020

Philo, On Jacob’s Dream

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Jacob’s Dream (detail), St. Paul’s Cathedral, Pittsburgh

WHETHER they exist as metaphysical entities or not, angels are certainly psychologically real — that is, as certain inspirations, communications, subtle insights and promptings and high contemplative experiences that we consider ‘angelic.’ Angels, therefore, are, in terms of Jungian psychology, archetypally real; this is also evident from the proliferation of the angel motif in art, folklore, myth, etc.

The classic treatment of angels in the Bible is the story of Jacob’s Ladder in Genesis, which Philo addressed in his work, On Dreams.. Philo — the great allegorical exegete of the Pentateuch — didn’t write a great many words about this, but what he did write great words!

Note a certain asymmetry with regard to ascending and descending angels in Philo’s discussion. The ascending ones involve the drawing up of our minds to thoughts and ‘spectacles,’ whereas the descending angels heal and quicken the soul. Philo associates angels with the logoi of God, which we may understand as God’s ‘words’, i.e., discrete units of God’s will which direct the world (or, in this case, our mind.)

[146]
XXIII. Such then is that which in the universe is figuratively called stairway. If we consider that which is so called in human beings we shall find it to be soul. Its foot is sense-perception, which is as it were the earthly element in it, and its head, the mind which is wholly unalloyed, the heavenly element, as it may be called.

[147]
Up and down throughout its whole extent are moving incessantly the “words” [λόγοι] of God, drawing it up with them when they ascend and disconnecting it with what is mortal, and exhibiting to it the spectacle of the only objects worthy of our gaze; and when they descend not casting it down, for neither does God nor does a divine Word cause harm, but condescending out of love for man and compassion for our race, to be helpers and comrades, that with the healing of their breath they may quicken into new life the soul which is still borne along in the body as in a river.

[148]
In the understandings of those who have been purified to the utmost the Ruler of the universe walks noiselessly, alone, invisibly, for verily there is an oracle once vouchsafed to the Sage, in which it is said: “I will walk in you, and will be your God” (Lev. 26:12): but in the understandings of those who are still undergoing cleansing and have not yet fully washed their life defiled and stained by the body’s weight there walk angels, divine words, making them bright and clean with the doctrines* of all that is good and beautiful.  Source: Philo, On Dreams (De somniis) 1.146ff, tr. Colson & Whitaker, p. 375.

* this word is uncertain in manuscripts.

Bibliography

Colson, F.H.; Whitaker, G. H.  On Dreams.  In: Philo in Ten Volumes, Vol. 5. Loeb Classical Library, Cambridge, MA, 1938.

The Seven Virtues and Fifty Sub-Virtues of Medieval Christianity

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Tree of Virtues” from Speculum Virginum, Walters Art Museum Ms. W.72, fol. 26r.

BEGINNING in the 11th century we find in Western medieval  manuscripts frequent portrayal of the canonical virtues and vices as tree diagrams.  These vary in details, but always include the four cardinal virtues of the Greco-Roman ethical tradition (Fortitude, Temperance,  Prudence and Justice) the three three theological virtues (Faith, Hope and Charity) from the Bible.  Each virtue is shown as a branch of the tree, along with seven sub-virtues (except for Charity, which may have ten sub-virtues) as leaves.  Typically a parallel tree of the seven deadly vices and their sub-vices accompanies the Tree of Virtues.  Pride (Superbia) is considered the common root of all vices, and Humility (Humilitas) of all virtues.

One early version is contained in the work, De fructibus carnis et spiritus (On the Fruits of the Flesh and the Spirit), once attributed to Hugh of Saint-Victor (c. 1096–1141); some consider Conrad of Hirsau the author.

The seven Virtues and their sub-virtues are listed below.  In some cases I’ve merely guessed at a modern English translation (and in those cases have supplied the definition supplied in the text.  The selection of sub-virtues and their definition seems influenced by a variety of patristic and biblical sources.  Possibly writers consulted precursors of the Glossa Ordinaria (collections of glosses on the Bible by Church Fathers and later writers) in selecting definitions.

Prudentia (Prudence)

  • timor Domini (fear of God)
  • alacritas (promptness)
  • consilium (counsel)
  • memoria (memory)
  • intelligentia (intelligence)
  • providentia (foresight)
  • deliberatio (deliberation)

Justitia (Justice)

  • lex (law)
  • severitas (strictness)
  • aequitas (equity)
  • correctio (correction; Correctio est erroris innati vel consuetudine introducti freno rationis inhibitio.)
  • jurisjurandi observatio (honoring a pledge; Jurisjurandi observatio est quae, plebescito civibus promulgato, transgressionem ejus temerariam arcet praestito juramento de conservatione illius perpetua.)
  • judicium (judgment)
  • veritas (truth)

Fortitudo (Courage)

  • magnanimitas (magnanimity)
  • fiducia (fidelity)
  • tolerantia (tolerance)
  • requies (rest)
  • stabilitas (stability)
  • constantia (constancy)
  • perseverantia (perseverance)

Temperantia (Temperance)

  • discretio (discernment)
  • morigeratio (obedience; acquiescence)
  • taciturnitas (silence)
  • jejunium (fasting)
  • sobrietas (sobriety)
  • afflictio carnis (physical penance; mortification of flesh; Afflictio carnis est per quem lascivae mentis seminaria castigatione discreta comprimuntur.)
  • contemptus saeculi (contempt of the world)

Fides (Faith)

  • religio (pratice of religion)
  • munditia (decorum; Munditia est consummata integritas utriusque hominis intuitu divini vel amoris vel timoris.)
  • obedientia (obedience)
  • castitas (chastity)
  • reverentia (reverence)
  • continentia (continence)
  • affectus (good desire)

Spes (Hope)

  • contemplatio supernorum (heavenly contemplation; Contemplatio supernorum est per sublevatae mentis jubilum mors carnalium affectuum).
  • gaudium (joy)
  • modestia (modesty)
  • confessio (confession of faults)
  • patientia (patience)
  • compunctio (sorrow for faults)
  • longanimitas (longsuffering)

Caritas (Charity)

  • gratia (forgiveness)
  • pax (peace)
  • pietas (piety)
  • mansuetudo (mildness; leniency)
  • liberalitas (liberality)
  • misericordia (mercy)
  • indulgentia (indulgence)
  • compassio (compassion)
  • benignitas (benignity)
  • concordia (concord)

Bibliography

Goggin, Cheryl Gohdes. Copying manuscript illuminations: The Trees of Vices and Virtues. Visual Resources, 2004, 20:2-3, 179−198. https://doi.org/10.1080/0197376042000207552

Hugo de S. Victore. De fructibus carnis et spiritus. J. P. Migne. Patrologia Latina, Paris, 1854; cols. 997−1010 (rough diagrams of the Tree of Vices and Tree of Virtues appear at the end of the work).  Latin text is online: http://mlat.uzh.ch/?c=2&w=HuDeSVi.DeFrCaE

Katzenellenbogen, Adolf. Allegories of the Virtues and Vices in Medieval Art from Christian Times to the Thirteenth Century. Alan J. P. Crick (tr.). London: Warburg Institute, 1939.

Tucker, Shawn R. The Virtues and Vices in the Arts: A Sourcebook. Wipf and Stock Publishers, 2015.

Art: “Tree of Virtues” from Speculum Virginum, Walters Art Museum Ms. W.72, fol. 26r; early 13th century manuscript from the Cistercian abbey of Himmerode, Germany. https://en.wikipedia.org/wiki/File:Virtues_Speculum_Virginum_W72_26r.jpg

 

Richard of St. Victor: Allegorical Meaning of Jacob’s Wives and Children

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GENESIS 29ff tells of the wives and children of Jacob, grandson of the patriarch Abraham.  Jacob had 12 sons, from whom descended the 12 tribes of Israel.  The story’s details suggest that, like the rest of Genesis, it has an allegorical meaning.  Richard of Saint-Victor’s (fl. 1140) analysis of this, a work titled the Twelve Patriarchs (Benjamin Minor), is a masterpiece of psychological allegoresis, rivaling the even seminal contributions of Philo of Alexandria to this genre.

As Genesis explains, Jacob married Laban’s daughters, Leah and Rachel, and also their respective handmaids, Zilpah and Bilhah  These four mothers bore 12 sons and one daughter.  For Richard — following the long tradition established by Philo (and mediated through Origen, Ambrose and Jerome; see Sheridan, 2012) Jacob symbolizes the ‘practicer’ of moral reformation and spiritual growth.  That is, practice here is understood in the sense of askesis, namely the practical effort one makes to mature into a self-realized holy and spiritual person.

Each of Jacob’s wives and children, according to Richard, symbolizes a distinct psychological disposition relevant to this journey. Leah and Rachel represent the affective and intellectual sides of our psyche or soul, and Zilpah and Bilah are sensation and imagination, which, according to Richard, serve affection and reason, respectively.

Each son and daughter is a virtuous disposition originating in our psychological nature (in effect, they are very much like Jungian archetypes, but all concerned with our moral and spiritual development). They emerge in a particular order and supply some necessary function as we proceed towards higher levels of moral integration and spiritual consciousness.  This is a cyclical process, something we repeat often, perhaps even daily in our constant struggle to rise from worldly-mindedness and egoism to spiritual mindedness.

Two give two examples, Naphtali, a son of Bilah, is the disposition to uplift our soul from consideration of material things to the eternal goods these things suggest or symbolize; and Gad, a son of Zilpha, represents abstinence, or the intentional putting aside of sensual pleasures. Ultimately we arrive at the births of Joseph (discriminative self-knowledge) and Benjamin (religious contemplation).

Whether this is the original intended meaning of Genesis here or not, merely taken on its own terms Richard’s exegesis supplies an insightful and valuable analysis of the psychology of the spiritual journey. It’s also landmark in the history of Old Testament interpretation and deserves wider attention today.

The following excerpt concerning Joseph exemplifies quality of the entire work.

Richard of Saint-Victor. The Twelve Patriarchs (Benjamin Minor), Chs. 71−72

Chapter LXXI. Concerning the two offspring of reason, viz., grace of discretion and grace of contemplation.

By this Joseph the soul is continually instructed and at times is led to full knowledge of itself, just as by his [full] brother Benjamin it is at times lifted up to the contemplation of God. For just as we understand grace of discretion by Joseph, so we understand grace of contemplation by Benjamin. Both are born from [Rachel] because knowledge of God and of self are learned from Reason. Benjamin is born long after Joseph because the soul that has not been practiced over a long time and educated fully in knowledge of self is not raised up to knowledge of God. In vain he raises the eye of the heart to see God when he is not yet prepared to see himself. Let a person first learn to know his own invisible things before he presumes that he is able to grasp at invisible divine things. You must know the invisible things of your own spirit before you can be capable of knowing the invisible things of God. If you are not able to know yourself, how do you have the boldness to grasp at those things which are above you?

Chapter LXXII. How the soul is lifted up to contemplation of God by means of full knowledge of self.

The rational soul discovers without doubt that it is the foremost and principal mirror for seeing God. For if the invisible things of God are seen, being understood by the intellect by means of those things which have been made (cf. Rom. 1:20), where, I ask, have the traces of knowledge been found more clearly imprinted than in His image? … Whoever thirsts to see his God — let him wipe his mirror, let him cleanse his spirit. And so the true Joseph does not cease to hold, wipe and gaze into this mirror incessantly: to hold it so that it does not adhere to the earth, after it has fallen down by means of love; to wipe it so that it does not become dirty from the dust of useless thoughts; to gaze into it so that the eye of his intention does not turn toward empty pursuits. When the mirror has been wiped and gazed into for a long time, a kind of splendor of divine light begins to shine in it and a great beam of unexpected vision appears to his eyes. This light illumined the eyes of him who said: “The light of your face has been sealed upon us, Lord; you have put joy in my heart” (Ps. 4:7). Therefore, from the vision of this light that it wonders at within itself, the soul is kindled from above in a marvelous way and is animated to see the living light that is above it. I say, from this vision the soul conceives the flame of longing for the sight of God, and it lays hold of a pledge. And so the mind that now bums with longing for this vision should know that if it already hopes for what it longs for, it already has conceived Benjamin himself. By hoping the mind conceives; by longing it goes into labor; and the more longing increases, the closer it comes to giving birth. (Zinn, pp. 129−130)

Richard’s sequel to this work, The Mystical Ark (Benjamin Major), treats of the fruits of the ascetical process, that is, contemplation: its nature, ascending levels, and culmination in mystical union with God. That work is important both for its own sake and for its influence on St. Bonaventure’s Journey of the Mind to God.

Bibliography

Châtillon, Jean; Duchet-Suchaux, Monique. Les douze Patriarches ou Benjamin Minor. Texte critique et traduction par Jean Châtillon et Monique Duchet-Suchaux; introduction, notes et index par Jean Longère. Sources chrétiennes 419. Paris: Editions du Cerf, 1997.

Richard of Saint-Victor, De praeparatione animi ad contemplationem, liber dictus Benjamin Minor. Omnia opera. Patrologia Latina, vol. 196, ed. J. P. Migne. Paris, 1855, col. 1−64.

Sheridan, Mark. Jacob and Israel: A contribution to the history of an interpretation. In: Mark Sheridan, From the Nile to the Rhone and Beyond: Studies in Early Monastic Literature and Scriptural Interpretation. Rome, 2012; pp. 315−334. Originally published in: Studia Anselmo, 116, 1995, 219−241.

Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979.

Richard of Saint-Victor: On the Movements of Contemplation

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IN  A SUSTAINED analogy, Richard of Saint-Victor (1110−1173) likens contemplation to the movements of a bird (he doesn’t say what kind, but a hummingbird fits).  He evidently attached some importance to this analogy, and in any case we can be sure it’s something he developed from his own contemplation of natural phenomena.

An interesting detail his rather unexpected mention of major and minor premises (parts of a logical syllogism) — illustrating the integral nature of Victorine philosophy, artfully combining what today we might call left-brain and right-brain functions, i.e., logical analysis with creative intuition.

While I personally found this description of the phenomenology of contemplation fascinating, I hesitated to post it, thinking others might find it less interesting.  But yesterday a bird seemed to deliberately hover a few feet in front of my face, which I took it as sufficiently like an oracle to proceed.

Richard of Saint-Victor. The Mystical Ark 1.5

That the mode of contemplation operates in many ways

While the penetrating ray of contemplation is always suspended near something because of greatness of wonder, [admirationis magnitudine], it operates neither always nor uniformly in the same mode.  For that vivacity of intelligence in the soul of a contemplative (1) at one time goes out and returns with marvelous quickness, (2) at another time bends itself, as it were, into a circle, and (3) yet at another time gathers itself together in one place and fixes itself, as it were, motionless.

We see this pattern daily in the birds of the sky.  You may see some raising themselves high, others plunging low — and often repeating their ascent and descent.  Some turn to the side, now to the right, now to the left, or moving ahead a little, or advancing almost not at all, again repeating their movements with great constancy.

Others thrust ahead in great haste. But then, with equal rapidity, return to the rear, and repeating this for some time.

Others move in a circle many times,  one time a little wider, another time slightly smaller,  always returning to the same place.

Others suspend themselves for a long time in the same place with rapidly vibrating wings, fix themselves motionless and cling to the same place. It’s as though they wish to exclaim, “It is good for us to be here” (Matt. 17:4).

Similarly the flight of our contemplation is varied in many ways and of varying modes.

At one time it rises from the lower to the higher; at another it falls from the higher to the lower.  By the quickness of its consideration it moves at one time from the part to the whole; at another time from the whole to the part.

And at one time it draws the argument for that which it ought to know from a major premise; at another from a minor premise. At one moment it turns aside into this part, at another moment into the opposite part; it elicits an idea of contraries from knowledge of contraries, and usually varies the performance of its reasoning according to the differing mode of opposites.

At some time it runs forward and quickly runs back when it discerns the quality or mode of anything whatsoever, either from the effects or from the causes and whatever has preceded or followed.

But sometimes our speculation is led as it were in a circle, when some things are considered that are in common with many things or when, for the determination of any one thing whatsoever, a reason is drawn and assigned now to similar things, now to things having similar essences or accidents.

The fixed focus of our consideration is placed in one place, immobile, when the attention of the contemplative gladly  remains with the being of any thing whatsoever in order to observe and marvel at its proper nature.

Perhaps we shall more fitly say that to rise and fall, to go and return, to turn aside now here, now there, to continue at one time in a circle, and finally to cling together in unity: this is nothing other than by means of the greatest quickness to pass, in the mind,  now from the lowest things to the highest, or from the highest to the lowest; now from the oldest things to the newest or from the newest to the oldest; at one time from unequal to equal kinds of merits and rewards; at another time, to consider with diligent examination the circumstance and connection of everything whatsoever; and finally, at some time, satisfying the soul with the rareness of some speculation and wonder at the rareness.  See, as we have said above, how the activity of our contemplation is always suspended and is drawn forth according to some thing, while the soul of the contemplative gladly remains in the manifestation of its joy and is always eager either to return into itself frequently or to continue immobile in the same place for a long time.

Listen—concerning that mode of contemplation which is accustomed to go forward and back in a certain manner: “The living creatures will go and return in the likeness of flashing lightning” (Ezek. 1:14).  [JU: referring to the Chariot Vison of Ezekiel and the four ‘living creatures’]

The one who moves upward and downward, as it were, is described by the Psalmist in a few words: “They rise all the way to the heavens and they fall all the way into the abyss” (Ps. 106:26).

With respect to that mode of contemplation which, for instance, is led in a circle, you are admonished by the prophetic voice where it is said: “Lift up your eyes in a circle and see” (Isa. 60:4).

The ray of contemplation is fixed motionless in one place, for example, when anyone experiences in himself Habakkuk in that place: “Sun and moon stood still in their dwelling place” (Hab. 3:11).

It remains for us to see how many kinds of contemplation there are.

Source: Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979; pp. 158ff (edited and paraphrased).

Latin: Richard of Saint-Victor, Omnia opera. Patrologia Latina, vol. 196, ed. J. P. Migne. Paris, 1855; cols. 68C−70B.