Christian Platonism

Rediscovering Ancient Wisdom

Posts Tagged ‘Richard of Saint Victor

Richard of St. Victor: Allegorical Meaning of Jacob’s Wives and Children

leave a comment »

GENESIS 29ff tells of the wives and children of Jacob, grandson of the patriarch Abraham.  Jacob had 12 sons, from whom descended the 12 tribes of Israel.  The story’s details suggest that, like the rest of Genesis, it has an allegorical meaning.  Richard of Saint-Victor’s (fl. 1140) analysis of this, a work titled the Twelve Patriarchs (Benjamin Minor), is a masterpiece of psychological allegoresis, rivaling the even seminal contributions of Philo of Alexandria to this genre.

As Genesis explains, Jacob married Laban’s daughters, Leah and Rachel, and also their respective handmaids, Zilpah and Bilhah  These four mothers bore 12 sons and one daughter.  For Richard — following the long tradition established by Philo (and mediated through Origen, Ambrose and Jerome; see Sheridan, 2012) Jacob symbolizes the ‘practicer’ of moral reformation and spiritual growth.  That is, practice here is understood in the sense of askesis, namely the practical effort one makes to mature into a self-realized holy and spiritual person.

Each of Jacob’s wives and children, according to Richard, symbolizes a distinct psychological disposition relevant to this journey. Leah and Rachel represent the affective and intellectual sides of our psyche or soul, and Zilpah and Bilah are sensation and imagination, which, according to Richard, serve affection and reason, respectively.

Each son and daughter is a virtuous disposition originating in our psychological nature (in effect, they are very much like Jungian archetypes, but all concerned with our moral and spiritual development). They emerge in a particular order and supply some necessary function as we proceed towards higher levels of moral integration and spiritual consciousness.  This is a cyclical process, something we repeat often, perhaps even daily in our constant struggle to rise from worldly-mindedness and egoism to spiritual mindedness.

Two give two examples, Naphtali, a son of Bilah, is the disposition to uplift our soul from consideration of material things to the eternal goods these things suggest or symbolize; and Gad, a son of Zilpha, represents abstinence, or the intentional putting aside of sensual pleasures. Ultimately we arrive at the births of Joseph (discriminative self-knowledge) and Benjamin (religious contemplation).

Whether this is the original intended meaning of Genesis here or not, merely taken on its own terms Richard’s exegesis supplies an insightful and valuable analysis of the psychology of the spiritual journey. It’s also landmark in the history of Old Testament interpretation and deserves wider attention today.

The following excerpt concerning Joseph exemplifies quality of the entire work.

Richard of Saint-Victor. The Twelve Patriarchs (Benjamin Minor), Chs. 71−72

Chapter LXXI. Concerning the two offspring of reason, viz., grace of discretion and grace of contemplation.

By this Joseph the soul is continually instructed and at times is led to full knowledge of itself, just as by his [full] brother Benjamin it is at times lifted up to the contemplation of God. For just as we understand grace of discretion by Joseph, so we understand grace of contemplation by Benjamin. Both are born from [Rachel] because knowledge of God and of self are learned from Reason. Benjamin is born long after Joseph because the soul that has not been practiced over a long time and educated fully in knowledge of self is not raised up to knowledge of God. In vain he raises the eye of the heart to see God when he is not yet prepared to see himself. Let a person first learn to know his own invisible things before he presumes that he is able to grasp at invisible divine things. You must know the invisible things of your own spirit before you can be capable of knowing the invisible things of God. If you are not able to know yourself, how do you have the boldness to grasp at those things which are above you?

Chapter LXXII. How the soul is lifted up to contemplation of God by means of full knowledge of self.

The rational soul discovers without doubt that it is the foremost and principal mirror for seeing God. For if the invisible things of God are seen, being understood by the intellect by means of those things which have been made (cf. Rom. 1:20), where, I ask, have the traces of knowledge been found more clearly imprinted than in His image? … Whoever thirsts to see his God — let him wipe his mirror, let him cleanse his spirit. And so the true Joseph does not cease to hold, wipe and gaze into this mirror incessantly: to hold it so that it does not adhere to the earth, after it has fallen down by means of love; to wipe it so that it does not become dirty from the dust of useless thoughts; to gaze into it so that the eye of his intention does not turn toward empty pursuits. When the mirror has been wiped and gazed into for a long time, a kind of splendor of divine light begins to shine in it and a great beam of unexpected vision appears to his eyes. This light illumined the eyes of him who said: “The light of your face has been sealed upon us, Lord; you have put joy in my heart” (Ps. 4:7). Therefore, from the vision of this light that it wonders at within itself, the soul is kindled from above in a marvelous way and is animated to see the living light that is above it. I say, from this vision the soul conceives the flame of longing for the sight of God, and it lays hold of a pledge. And so the mind that now bums with longing for this vision should know that if it already hopes for what it longs for, it already has conceived Benjamin himself. By hoping the mind conceives; by longing it goes into labor; and the more longing increases, the closer it comes to giving birth. (Zinn, pp. 129−130)

Richard’s sequel to this work, The Mystical Ark (Benjamin Major), treats of the fruits of the ascetical process, that is, contemplation: its nature, ascending levels, and culmination in mystical union with God. That work is important both for its own sake and for its influence on St. Bonaventure’s Journey of the Mind to God.

Bibliography

Châtillon, Jean; Duchet-Suchaux, Monique. Les douze Patriarches ou Benjamin Minor. Texte critique et traduction par Jean Châtillon et Monique Duchet-Suchaux; introduction, notes et index par Jean Longère. Sources chrétiennes 419. Paris: Editions du Cerf, 1997.

Richard of Saint-Victor, De praeparatione animi ad contemplationem, liber dictus Benjamin Minor. Omnia opera. Patrologia Latina, vol. 196, ed. J. P. Migne. Paris, 1855, col. 1−64.

Sheridan, Mark. Jacob and Israel: A contribution to the history of an interpretation. In: Mark Sheridan, From the Nile to the Rhone and Beyond: Studies in Early Monastic Literature and Scriptural Interpretation. Rome, 2012; pp. 315−334. Originally published in: Studia Anselmo, 116, 1995, 219−241.

Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979.

Richard of Saint-Victor: On the Movements of Contemplation

leave a comment »

IN  A SUSTAINED analogy, Richard of Saint-Victor (1110−1173) likens contemplation to the movements of a bird (he doesn’t say what kind, but a hummingbird fits).  He evidently attached some importance to this analogy, and in any case we can be sure it’s something he developed from his own contemplation of natural phenomena.

An interesting detail his rather unexpected mention of major and minor premises (parts of a logical syllogism) — illustrating the integral nature of Victorine philosophy, artfully combining what today we might call left-brain and right-brain functions, i.e., logical analysis with creative intuition.

While I personally found this description of the phenomenology of contemplation fascinating, I hesitated to post it, thinking others might find it less interesting.  But yesterday a bird seemed to deliberately hover a few feet in front of my face, which I took it as sufficiently like an oracle to proceed.

Richard of Saint-Victor. The Mystical Ark 1.5

That the mode of contemplation operates in many ways

While the penetrating ray of contemplation is always suspended near something because of greatness of wonder, [admirationis magnitudine], it operates neither always nor uniformly in the same mode.  For that vivacity of intelligence in the soul of a contemplative (1) at one time goes out and returns with marvelous quickness, (2) at another time bends itself, as it were, into a circle, and (3) yet at another time gathers itself together in one place and fixes itself, as it were, motionless.

We see this pattern daily in the birds of the sky.  You may see some raising themselves high, others plunging low — and often repeating their ascent and descent.  Some turn to the side, now to the right, now to the left, or moving ahead a little, or advancing almost not at all, again repeating their movements with great constancy.

Others thrust ahead in great haste. But then, with equal rapidity, return to the rear, and repeating this for some time.

Others move in a circle many times,  one time a little wider, another time slightly smaller,  always returning to the same place.

Others suspend themselves for a long time in the same place with rapidly vibrating wings, fix themselves motionless and cling to the same place. It’s as though they wish to exclaim, “It is good for us to be here” (Matt. 17:4).

Similarly the flight of our contemplation is varied in many ways and of varying modes.

At one time it rises from the lower to the higher; at another it falls from the higher to the lower.  By the quickness of its consideration it moves at one time from the part to the whole; at another time from the whole to the part.

And at one time it draws the argument for that which it ought to know from a major premise; at another from a minor premise. At one moment it turns aside into this part, at another moment into the opposite part; it elicits an idea of contraries from knowledge of contraries, and usually varies the performance of its reasoning according to the differing mode of opposites.

At some time it runs forward and quickly runs back when it discerns the quality or mode of anything whatsoever, either from the effects or from the causes and whatever has preceded or followed.

But sometimes our speculation is led as it were in a circle, when some things are considered that are in common with many things or when, for the determination of any one thing whatsoever, a reason is drawn and assigned now to similar things, now to things having similar essences or accidents.

The fixed focus of our consideration is placed in one place, immobile, when the attention of the contemplative gladly  remains with the being of any thing whatsoever in order to observe and marvel at its proper nature.

Perhaps we shall more fitly say that to rise and fall, to go and return, to turn aside now here, now there, to continue at one time in a circle, and finally to cling together in unity: this is nothing other than by means of the greatest quickness to pass, in the mind,  now from the lowest things to the highest, or from the highest to the lowest; now from the oldest things to the newest or from the newest to the oldest; at one time from unequal to equal kinds of merits and rewards; at another time, to consider with diligent examination the circumstance and connection of everything whatsoever; and finally, at some time, satisfying the soul with the rareness of some speculation and wonder at the rareness.  See, as we have said above, how the activity of our contemplation is always suspended and is drawn forth according to some thing, while the soul of the contemplative gladly remains in the manifestation of its joy and is always eager either to return into itself frequently or to continue immobile in the same place for a long time.

Listen—concerning that mode of contemplation which is accustomed to go forward and back in a certain manner: “The living creatures will go and return in the likeness of flashing lightning” (Ezek. 1:14).  [JU: referring to the Chariot Vison of Ezekiel and the four ‘living creatures’]

The one who moves upward and downward, as it were, is described by the Psalmist in a few words: “They rise all the way to the heavens and they fall all the way into the abyss” (Ps. 106:26).

With respect to that mode of contemplation which, for instance, is led in a circle, you are admonished by the prophetic voice where it is said: “Lift up your eyes in a circle and see” (Isa. 60:4).

The ray of contemplation is fixed motionless in one place, for example, when anyone experiences in himself Habakkuk in that place: “Sun and moon stood still in their dwelling place” (Hab. 3:11).

It remains for us to see how many kinds of contemplation there are.

Source: Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979; pp. 158ff (edited and paraphrased).

Latin: Richard of Saint-Victor, Omnia opera. Patrologia Latina, vol. 196, ed. J. P. Migne. Paris, 1855; cols. 68C−70B.

Contemplative Christianity in the 13th and 14th Centuries: Latin West

leave a comment »

(click image to view in high resolution)

HERE we extend the previous timeline forward to the 13th and 14th centuries.
Legend: Olive = Benedictine; Light green: Cistercian; Purple: Dominican; Orange = Carthusian; Dark blue = Augustinian; Light blue = Other.

Recommended Reading

Egan, Harvey D. An Anthology of Christian Mysticism. Liturgical Press, 1991.

McGinn, Bernard. The Flowering of Mysticism: Men and Women in the New Mysticism (1200−1350). (Vol. 3 of B. McGinn, The Presence of God: A History of Western Christian Mysticism.) New York: Crossroad, 1998.

Richard of St. Victor, The Ark of the Covenant as an Allegory for Contemplation

leave a comment »


IN THE 12th century the Abbey of St. Victor outside Paris was a major teaching center. One dominant interest there was to develop a science of contemplation, drawing on such sources as St. Augustine, the Benedictine monastic tradition, and Pseudo-Dionysius. Allegorical interpretation of Scripture reached an advanced level. Richard of St. Victor (1110?−1173), for example, wrote a treatise on contemplation in the form of an exegesis of the Ark of the Covenant in Exodus 25. This is variously called Benjamin Major, The Mystical Ark, and The Grace of Contemplation. His writings profoundly affected subsequent Christian mysticism, including Bonaventure, the Rhineland mystics, and Spanish mysticism.

At the end of The Mystical Ark, Richard supplied a helpful recapitulation of the entire work, including a summary of Ark symbolism:

By the tabernacle of the covenant we understand the state of perfection.
Where perfection of the soul is, there also is the habitation of God.
The more the mind approaches perfection, the more closely it is joined in a covenant with God.
However, the tabernacle itself ought to have an atrium around about it.
By atrium we understand discipline of the body; by tabernacle we understand discipline of the mind. …
No person knows what belongs to the inner person except the spirit of humanity that is in him.
The habitus of the inner person is divided into a rational and an intellectual habitus.
The rational habitus is understood by the exterior tabernacle, but the intellectual habitus is understood by the interior
tabernacle.
We call the rational sense that by which we discern the things of ourself;
In this place we call the intellectual sense that by which we are raised up to the speculation of divine things. …
A person enters into the first tabernacle when he returns to himself.
A person enters into the second tabernacle when he goes beyond himself.
When going beyond himself surely a person is elevated to God.
A person remains in the first tabernacle by consideration of himself; in the second, by contemplation of God. …
In the atrium of the tabernacle was the altar of burnt offering.
In the first tabernacle were the candelabrum, the table, and the altar of incense.
In the interior tabernacle was the Ark of the Covenant.
The exterior altar is affliction of the body; the interior altar is contrition of the mind.
The candelabrum is the grace of discretion; the table is the teaching of sacred reading.
By the Ark of the Covenant we understand the grace of contemplation.
On the exterior altar the bodies of animals were burned up; by affliction of the body carnal longings are annihilated.
On the interior altar aromatic smoke was offered to the Lord; by contrition of heart the flame of celestial longings is
kindled.
A candelabrum is a holder for lights; discretion is the lamp of the inner person.
On the table bread is placed; by it those who are hungry may be refreshed.
However sacred reading certainly is the refreshment of the soul.
An ark is a secret place for gold and silver; the grace of contemplation lays hold of the treasury of celestial wisdom.
Good working pertains to the exterior altar.
Zealous meditation pertains to the candelabrum.
Sacred reading pertains to the table.
Devoted prayer pertains to the interior altar.

(Source: Zinn)

Bibliography

Aris, Marc-Aeilko (ed.). Contemplatio: Philosophische Studien zum Traktat Benjamin Maior des Richard von St. Victor; semi-critical edition. Frankfurt am Main, 1996.

Chase, Steven. Angelic Wisdom: The Cherubim and the Grace of Contemplation in Richard of St. Victor. Notre Dame University Press, 1995.

Richard of Saint-Victor, Omnia opera. Patrologia Latina, vol. 196, cols. 191−202, ed. J. P. Migne. Paris, 1855.

Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979.

 

Contemplative Christianity from the 9th Through 12th Centuries: Latin West

leave a comment »


THIS simple timeline highlights the gap in Christian theology between Eriugena (9th century) and the flourishing in the 11th and 12th centuries. The intervening period was the late Dark Age – when Europe was beset by invading Huns, Vikings and Moors. Contemplation was a topic of major concern for virtually all of these figures.

Legend:  Green = Benedictine; Orange = Carthusian; Dark blue = Augustinian; Light blue = Other.  (Bernard of Clairvaux and William of St. Thierry later became Cistercians.)

Another gap occurred between Boethius (477–524 AD) and Eriugena in the early Dark Ages. Eriugena was part of the brief oasis of civilization called the Carolingian Renaissance (named after Charlemagne).

In response to a request, here is the timeline extended back to Boethius:

(click image to view in high resolution)

Recommended Readings

Egan, Harvey D. An Anthology of Christian Mysticism. Liturgical Press, 1991.

McGinn, Bernard. The Growth of Mysticism: Gregory the Great Through the 12th Century. (Vol. 2 of B. McGinn, The Presence of God: A History of Western Christian Mysticism.) New York: Crossroad, 1994.

Contemplative Spirituality: From Plato to the Victorine Mystics

leave a comment »


REMARKABLY, the influential 12th century mystics/theologians of the School of Saint-Victor in Paris (most famously, Hugh and Richard of Saint-Victor) developed a sophisticated and fundamentally Platonic system of contemplative spirituality, but without (except for part of the Timaeus) direct knowledge of Plato’s writings. All was pieced together from St. Augustine, the Benedictine tradition, Pseudo-Dionysius and the Latin Platonic tradition — with exegetical borrowing from Saints Ambrose and Jerome. But uniting everything one senses a high degree of skill and experience with contemplation by the Victorines. The synthesis and systematization, unlike later Scholasticism, is not forced or overly rationalistic, but a harmonious integration of experience and dialectical reasoning.

Not only did the Victorines produce from these multiple strands of influence an original synthesis, but these elements were being synthesized differently by others at the same time (e.g., the School of Chartres):

PERHAPS ONE COULD measure the power of a mind by observing the varied systems of thought which its own intellectual constructions have more or less directly inspired in the course of history. … That one man’s thought should bring forth such varied progeny will seem less paradoxical if one reflects that master-insights never find complete expression in a single conceptual system and consequently they lend themselves readily to further adaptation, even to frank distortion that nonetheless preserves an undeniable kinship with the original.

Plato affords the major instance of this phenomenon, and historians have some difficulty in sorting out the currents of thought traceable to him. These Neoplatonisms that recur century after century comprise a family with little coherence, despite the profound perceptions radically common to them all.

Precisely in the area of Plato’s influence, the twelfth century furnished a spectacle of the clearest debt yet with the most tangled lines of descent. (Chenu, p. 49)

Bibliography

Chenu, Marie-Dominique. The Platonisms of the Twelfth Century. In: Marie-Dominique Chenu, Nature, Man, and Society in the Twelfth Century, trs. Jerome Taylor &, Lester K. Little, University of Toronto, 1997; pp. 49−98.

Coulter, Dale M.  Pseudo-Dionysius in the Twelfth Century Latin West. ORB Online Encyclopedia.  Accessed: 17 October 2019. < https://the-orb.arlima.net/encyclop/culture/philos/coulter.html >.

Feiss, Hugh; Mousseau, Juliet (eds.). A Companion to the Abbey of Saint Victor in Paris. Brill, 2018.

Gersh, Stephen. The medieval legacy from ancient Platonism. In: Stephen Gersh, Maarten J.F.M. Hoenen, (eds.), The Platonic Tradition in the Middle Ages: A Doxographic Approach, Walter de Gruyter, 2013. (pp. 3−30).

Gregory, Tullio. The Platonic inheritance. In: A History of Twelfth Century Western Philosophy. Edited by Peter Dronke. Cambridge University Press, 1988; pp. 54−80.

Hugh of Saint-Victor. Selected Spiritual Writings. Translated by a religious of C.S.M.V. London: Faber, 1962.  [ebook].

Louth, Andrew. The Origins of the Christian Mystical Tradition: From Plato to Denys. Oxford, 1983 (repr. 2003).

Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979.

On the Six Levels of Contemplation – Richard of Saint-Victor

leave a comment »

Seraphim, Petites Heures de Jean de Berry (14th century)

CHRISTIAN mystics have an elaborate system for classifying contemplative experience. In fact, possibly it’s too systematized; at least I personally have never been able to fully understand it. Accordingly, I’d like to de-mystify (no pun inteded) things by going back early in the tradition, to when this effort to classify and arrange experiences was getting started: systematized, but perhaps not overly so.

To begin then, in the 12th century, Richard of St. Victor proposed a classification of contemplative experience into six ascending grades. The six forms of contemplation are associated with the six winged seraphim in Isaiah’s famous vision (Isaiah 6:1–3). His system strongly influenced St. Bonaventure, who, a century later proposed his own six-fold classification of contemplative experiences.

Richard’s classification is not simply derived from experience (i.e., phenomenological observation), but also relies on a theoretical premise. Specifically, he sees the human mind as having three divisions: (1) sense perception and sensory imagination; (2) discursive reasoning or ratiocination (Latin: ratio; Greek: dianoia); and (3) pure intellection (i.e., immediate intuitive grasp; Greek: noesis). From this three-fold division he derives his six ascending grades of contemplation, as follows:

  1. Sense experience alone. Example: contemplating natural beauty for its own sake; a purely aesthetic experience.)
  2. Sense experience combined with reasoning. Example: contemplating natural beauty, and then thinking about what it implies (e.g., a providential and wise Creator).
  3. Reasoning guided by imagination. Example: admiring a flower and considering how its unfolding petals correspond to human mental development.
  4. Reasoning alone. Example: noticing some process within ones own mind, and that leading to some further self-insight.
  5. Insight above, but not contrary to ratiocination. Example: an insight into some aspect of God’s nature or being that conforms to logic.
  6. Insight above and contrary to or completely uninterpretable by ratiocination. Example: an insight into some aspect of God’s nature or being that is beyond or contradicts logic.

This discussion appears in The Mystical Ark (Benjamin Major) 1.6.

The arrangement is systematic, but not overwhelmingly so. He emphasizes that contemplation is something fluid and dynamic. That is, during contemplation the mind moves freely among these levels. He likens things to a hawk or kestrel that flies higher or lower, sometimes hovering, sometimes diving, sometimes returning for a second look, and so on. This is an intriguing analogy not only because of its aptness, but also because it’s likely an insight derived from his own contemplative practice (level 3 contemplation).

In Book 5 he supplies another classification concerning contemplation at the highest levels, noting that one may experience (1) expansion (dilatio), (2) elevation (sublevatio), and finally (3) ecstatic loss (alienatio) of consciousness.

Benjamin, youngest of Jacob’s 12 sons, is, for Richard, is a symbol of contemplation. He basis this on the Vulgate version of Psalm lxvii.: Ibi Benjamin adolescentulus in mentis excessu: “There is Benjamin, a youth, in ecstasy of mind.” (whereas the modern English Bible reads: “Little Benjamin their ruler.”)

His two works, Benjamin Minor (The Twelve Patriarchs) and Benjamin Major (The Mystical Ark) consider the ascetical/moral preparation for contemplation, and contemplation itself, respectively.

At the birth of Benjamin, his mother Rachel dies, and Richard writes: “For, when the mind of man is rapt above itself, it surpasseth all the limits of human reasoning. Elevated above itself and rapt in ecstasy, it beholdeth things in the divine light at which all human reason succumbs. What, then, is the death of Rachel, save the failing of reason?” (Benjamin Minor 73).

So in sum, we can see that Richard’s ‘system’ (if that’s a fair term to apply) is a felicitious combination of knowledge derived from experience and dialectic. As such it represents, arguably, a remarkably high level of synthesis between experience, creative imagination, insight and rational analysis.

A century later Scholasticism would be in full swing, the balance leaning progressively more and more (up to this day!) towards intellectual analysis (or perhaps we should say, towards a dissociation of rationalism and mysticism).

References

Richard of Saint-Victor. Omnia opera. Patrologia Latina, ed. J. P. MIGNE (Paris 1878–90) 196.

Zinn, Grover A. (tr.). Richard of St. Victor: The Twelve Patriarchs, The Mystical Ark and Book Three of The Trinity. Paulist Press, 1979.